Thursday, January 7, 2010

Schubert/Liszt Erlkönig

Based on a Poem by Goethe and played by Kissin! Superb.






Adaptation:

Who rides there so late through the night dark and drear?
The father it is, with his infant so dear;
He holdeth the boy tightly clasp'd in his arm,
He holdeth him safely, he keepeth him warm.

"My son, wherefore seek'st thou thy face thus to hide?"
"Look, father, the Erl King is close by our side!
Dost see not the Erl King, with crown and with train?"
"My son, 'tis the mist rising over the plain."

"Oh, come, thou dear infant! oh come thou with me!
For many a game I will play there with thee;
On my strand, lovely flowers their blossoms unfold,
My mother shall grace thee with garments of gold."

"My father, my father, and dost thou not hear
The words that the Erl King now breathes in mine ear?"
"Be calm, dearest child, thy fancy deceives;
the wind is sighing through withering leaves."

"Wilt go, then, dear infant, wilt go with me there?
My daughters shall tend thee with sisterly care
My daughters by night on the dance floor you lead,
They'll cradle and rock thee, and sing thee to sleep."

"My father, my father, and dost thou not see,
How the Erl King is showing his daughters to me?"
"My darling, my darling, I see it aright,
'Tis the aged grey willows deceiving thy sight."

"I love thee, I'm charm'd by thy beauty, dear boy!
And if thou aren't willing, then force I'll employ."
"My father, my father, he seizes me fast,
For sorely the Erl King has hurt me at last."

The father now gallops, with terror half wild,
He holds in his arms the shuddering child;
He reaches his farmstead with toil and with dread,—
The child in his arms he finds motionless, dead.

Saturday, March 28, 2009

Quasi una Fantasia

The piece speaks for itself. The montage is quite charming too.

Thursday, March 26, 2009

The darkest of the dark- Totentantz!

Not the best recording! but this is a wild piece!

Rage over a lost Penny

Sounds like a very Jewish title.... a' la Borat. 
Just discovered this cute piece. 


comments

Yes Ferruccio, we will certainly scare off the 13 visitors we have had this month. In any case, that rendition was right up my alley, and I am not going to start playing it that fast and blame it on Gould, I especially liked how fast it was at 2:20 because that when my nose usually hits the Piano- asleep! 

Tuesday, March 24, 2009

Gouldianized Beethoven

I suspect that I will scare off the ever so few readers we had managed to attract to our blog with this post but it is too good to resist: One of the most famous and most recorded piano pieces played unlike anyone else. Too fast, you will say, it's supposed to be Adagio sostenuto. And where's the video, you may ask. All I can say is that it took me a long time, but I now delight in Gould's heretical interpretation.

Monday, March 16, 2009

A lesson in interpretation

When I first began to listen to classical music, I thought, rather naively I now realize, that composer composed and musicians simply played whatever notes were lined up on the partition. As long as they were free of mistakes, any two interpretations would pretty much be the same. And then I discovered Gould who brought Bach to life like no else. Certain purists will say that he gouldianizes too much. I am not one to judge. But I have listened to countless recordings of the goldberg variations and they either put you to sleep (composed as they were to help the insomniac Count Kaiserling fall asleep) or simply fail to inspire. Gould's 1981 recording elevates the soul. Maybe it's the humming, maybe it's the prominence of the left hand or maybe it's just a great pianist revisiting a piece 26 years after it launched his career. Even if you don't like music, just look at Gould as he savors every note.